The Exhibition: Pompeii and Europe. 1748–1943.

A great exhibition project to recount the fascination that the archaeological site of Pompeii held for artists and the European imagination, from the start of excavations in 1748 to its dramatic bombing in 1943.

Pompeii and Europe. 1748–1943, the exhibition devised by the Superintendent for Pompeii, Herculaneum and Stabiae Massimo Osanna, unfolds along a twofold route, at the National Archaeological Museum in Naples and simultaneously at the Amphitheater in Pompeii.

A temporary 12-metre wooden pyramid will house exhibition on Pompeii.
Inside are the casts of 20 victims buried by ash during the 79AD eruption
The installation was designed by renowned Italian architect Francesco Venezia.
The shape is said to be a tribute to the temple of the Egyptian goddess Isis, one of the first to be discovered by archaeologists in town

The plaster casts are placed in the centre, while the exhibition also features archival photographs documenting the work in the excavations in the 19th and 20th centuries.

Exhibition in Pompeii 20150525_piramide

Excavations of Pompeii – Amphitheater

Opening hours

Open daily, 9:00 19.00
until October 31, 2015
last admission at 6 pm

From 8.3017.00
1st and 2nd November
last admission at 15.30

BOOK YOUR GUIDED TOUR IN POMPEII WITH US!

Published by Emiliano's Archaeological Tours

My name is Emiliano Tufano, I am an archaeologist and tour guide. I run an organization providing archeaological and cultural tours in Campania. When I was ten years old I found a piece of painted pottery on a small piece of land belonging to my family, which is located nearby the ancient Greek city of Paestum. For the whole of that day I kept this piece of history in my hands. I remember that it was decorated with a black figured scene of a Satyr driving a biga. The feeling I had when realized it was a genuine antique object was very strong, and I started asking myself many questions about the people who occupied that area across the centuries and, particularly, about the man who made such a beautiful piece of work. Since then I started collecting all sorts of pots and stones that I found while I wandered through the countryside. I used to divide my finds simply on the basis of their shape and color. They were the first steps of me becoming an archaeologist. At school, history was my favorite subject; therefore my decision of which degree course to choose was an easy one, Archaeology. Today, archaeology is my profession and my passion. Throughout the years I developed skills in fieldwork and academic research. I participated as a field director in several excavation projects of fundamental importance across Italy and I was engaged in significant academic research projects in Sicily, Tunisia and Libya. I now fulfill my ambition with a PhD project about the Sicilian prehistory. However, my interests go beyond just the history. I have a strong creative side and I love photography, and I write articles for a newspaper in my local area, play football and enjoy diving. I enjoy traveling and have been to many different countries, where I always make particular efforts to learn as much of the local language and culture as possible. In 2010 I became qualified to work as a tourist guide of the Campania Region, and today I offer guided tours in Italian, English and Spanish. I live my job with passion and professionalism. With me you can visit the wonders of Campania: the Vesuvian archaeological sites of Pompeii, Herculaneum and other beautiful sites, such as the historic centers of Naples, Caserta and Salerno, the Amalfi Coast and Sorrento Coast, all the major churches and museums. Through exclusive and tailor-made tours, according to your requirements, you will receive quality service and cultural enrichment.

One thought on “The Exhibition: Pompeii and Europe. 1748–1943.

  1. It’s the worst ever done exhibit one can see. How can a structure have been led in the middle of the amphitheater? As for the exhibit it’s more like morgue enhancing people’s morbid taste than an instructive one. This is a demonstration of the lack of taste and respect for the victims by the Italian government and population. I’m just back from the sites and have been disgusted by what has been done, Unesco should immediately stop its funding of the superintendanza and sue the Italian government for theft of the huge amounts of dollars given to this country.

    Like

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